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On his retirement in July 1995 he was made Director Laureate of Birmingham Royal Ballet. Kevin O’Hare, Director of The Royal Ballet comments: “With our live shows sold out, it’s very special that we can share The Nutcracker Reworked, a 2020 restaging of Peter Wright’s cherished production for audiences around the world unable to join us in the theatre. Wright made his debut as a dancer with Ballets Jooss during World War II. In 1977 he was appointed Director of Sadler’s Wells Royal Ballet, supervising the company’s transformation into Birmingham Royal Ballet in 1990. Choreographer and director Peter Wright is one of the most eminent names in ballet. Photograph by Roger Wood, Valentino Zucchetti and Yuhui Choe in Giselle, The Royal Ballet, Credited with Peter Wright on the far left and other dancers backstage at the Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette (1951) at the Sadler's Wells Theatre, London. He was awarded a knighthood in the 1993 Queen's birthday honours list, in 1994 an Honorary Doctorate of Letters from the University of Birmingham and the Critics' Circle Award 1995 for Distinguished Services to the Arts. Sir Peter Wright Production and staging. Peter Wright’s interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. During the 1960s he also established himself as a successful director of television ballets and choreographed various West End musicals and revues. His production of the Christmas favourite is the most performed production that the Company has in its repertoire. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. Back in April, I worked on Peter Wright’s version of the Romantic ballet Giselle. Lev Ivanov’s 1892 ballet combined with Tchaikovsky’s sumptuous, iconic score are presented in a festive period setting with vivid designs to make this a charming and magical production. It’s a piece that continues to capture our imaginations because it examines both the euphoria, and the destructive capacity of love. The success of the BRB Nutcracker is really down to Peter Wright and designer John Macfarlane – it’s lavish but not in a bling way with cheap gold and crystals spread thick, but in terms of its design richness and depth. He is also a governor of the Royal Ballet School. Photog by Roger Wood, Peter Wright on far left with other dancers, backstage at Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette (1951) at the Sadler's Wells Theatre, London. Sumptuously staged and set to Tchaikovsky’s celebrated score, this ballet is a truly magical experience for the whole family. It would need a very hard heart not to be warmed by Sir Peter Wright’s sparkling production of The Nutcracker (for The Royal Ballet) and it was especially heartening to see this nonagenarian in the audience to celebrate another year’s opening of one of his most enduring achievements. Not just any old Nutcracker, mind, but the 500th performance of Sir Peter Wright’s bespoke production. Tomorrow afternoon, Birmingham Royal Ballet will dance a matinee of The Nutcracker. Giselle is the classic ballet of the Romantic era. The Sarasota Ballet in Sir Peter Wright’s Giselle – Photography Frank Atura. Read more about Sir Peter Wright The ballet was first performed by the Australian Ballet in 2007. He received the Evening Standard Award for Ballet in 1981, and in 1985 was made a CBE. The Royal Ballet had scheduled 17 performances of a reworking of Peter Wright’s well-loved 1984 Nutcracker. Sir Peter Wright’s conversation is peppered with the word ‘wonderful’. Peter Wright’s production for The Royal Ballet is based on Marius Petipa’s classic version (after the original 1841 choreography by Jules Perrot and Jean Coralli), which was first staged in St Petersburg in … Production. A new feature-length documentary captures the backstage preparations for the return of The Royal Ballet's iconic Christmas production. This article first appeared in the Australian Ballet’s program for its 2014 season of Sir Peter Wright’s Nutcracker in Melbourne and Sydney. He is one of the most eminent names in ballet, and between 1977 to 1995 he held the position of artistic director to the Birmingham Royal Ballet (previously the Sadler’s Wells Royal Ballet), where he still holds the title of Director Laureate. Believe art, beauty and community will always prevail. shop ’ s productions the. A successful Director of television Ballets and choreographed various West End musicals and revues well... Magic are unleashed as the doll springs to life and magic are as! 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